A sickness has consumed the city, transforming many of its citizens into beasts. Miyazaki is at the controls and uses the brief downtime to explain a little of the game's backstory.īloodborne takes place within a cursed city known as Yharnam. A thick green fog floats across the skyline, blotting out distant spires and clock towers - areas that, if From's past games have taught us anything, we will eventually travel to ourselves.Īfter Miyazaki shows off the gorgeous area for a bit, the main character runs forward and begins climbing up a ladder. Smoke pours out of sewer openings in cobblestoned streets lined with carriages. Miyazaki says From is going for a late 19th century vibe (though he clarifies that the game does not take place in the real world). #Bloodborne pc e3 softwareNow that studio is working on Bloodborne, a game that breaks from the Souls titles in some key ways but maintains much of its legacy, including a clear call-out to the Tower of Latria.Įarly in his E3 2014 demo of Bloodborne, Game Director Hidetaka Miyazaki brings up the comparison that immediately grabs my attention: "If you remember the Tower of Latria level in Demon's Souls, that's the kind of atmosphere we want to create with Bloodborne."Īnd so far, Miyazaki and his team at From Software are right on track.Īs showcased in the game's debut trailer at the Sony E3 2014 press conference, Bloodborne has a gothic horror look that is as creepy and unnerving as it is beautiful. From Software went on to create a spiritual successor to Demon's Souls titled Dark Souls and an excellent sequel to that earlier this year.
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appears to offer a plausible reexamination of these texts in the context of local conditions in Magna Graecia. While I am not a specialist in any of these authors, L. What is new is L.’s non-Romanocentric point of view. The main sources of L.’s narrative account are familiar enough-the texts of writers such as Livy, Polybius, and Appian. Her insights and observations here regarding the nature of the endurance of Greek cultural institutions offer the reader a rich appreciation of interplay of cultures in southern Italy. is able more successfully to counteract the Romanocentric nature of the sources with evidence made available by archaeologists, epigraphers, numismatists, and linguists. The final five chapters focus on a number of discrete cultural, economic, political and social topics. attempts to read through the pro-Roman biases and topoi that affected the mainly historical sources. After the Introduction, the first five chapters provide the historical narrative, reviewing the history of the region from the period of earliest colonization to Augustus. invites us to consider her book more as an “histoire des mentalites,” focusing on cultural, political, and socio-economic structures, than an “histoire des evenements,” a narrative of events. For example, she argues that eastern mystery cults do not appear to have had much of an impact on Magna Graecia because of greater Roman circumspection after the Bacchanal scandal-and not because of religious sensibilities peculiar to the region itself. herself adopts a Romanocentric point of view where an alternative is possible. This complicates the premise of the book, for it is no mean task to describe Magna Graecia from the point of view of the region, that is from a non-Romanocentric point of view, if Magna Graecia itself existed largely as a matter of Roman perception. notes that this construction of Magna Graecia as a region may have been conditioned more by Roman perceptions than regional self-assertion. At one time embracing the whole of the Greek world, Magna Graecia, or Megale Hellas, progressively shrank until in the Roman period it came to indicate the Greek inhabited areas of Italy from Cumae to Tarentum, the sense of the term that L. The term Magna Graecia itself was elastic in meaning. argues that there is little reliable evidence indicating what sense the inhabitants of Magna Graecia themselves had of a communal regional identity. This may be appropriate despite the existence of a common Italiote League, L. focuses our attention on individual tesserae rather than the whole mosaic. Thus, L.’s approach gives the reader some notion of the diverse economic, political, and cultural character of the region-perhaps at the cost of imparting a sense of Magna Graecia as a whole. carries her emphasis on regionalism to the point where she is often hesitant to generalize about Magna Graecia as a whole, preferring to distinguish between larger sub-regions, such as Campania and the South, or among the individual poleis. argues, local factors may often have been more important than the influence of Rome in shaping events. but localized passions and rivalries being played out in dozens of smaller arenas. L.’s emphasis on regionalism and local conditions reflects the influence of our own recent experience, in which the force driving events is no longer the center-stage competition between the U.S. In other words, the author has attempted to write a history in non-Roman terms that is both skeptical of the ancient Romanocentric sources and places Rome, not Magna Graecia, at the margin of the story. Kathryn Lomas’s Rome and the Western Greeks aims to tell the story of Magna Graecia from the point of view of the region itself, rather than the point of view of Rome. |
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